| 2. Best practices |
| 2.1 Slide and pinch to instantly adjust the keyboard. |
| 2.2 Use higher latency for editing |
| 2.3 Avoid overlapping (orange) notes |
| 2.4 Make use of the record undo button |
| 2.5 Try different quantization parameters |
| 2.6 Release times can simulate legato |
| 2. Best practices |
| 2.1 Slide and pinch to quickly adjust the keyboard |
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| The same works in the Tracks tab. |
| 2.2 Use higher latency for editing |
| After you finished recording your song and move on to editing the tracks, switch from low to high latency to decrease the amount of stuttering and crackling while performing complex operations in the Tracks tab. |
| 2.3 Avoid overlapping (orange) notes |
| Congruent (identical) and overlapping notes are marked orange in the Tracks tab. Congruent notes result in higher note volume, while overlapping notes may not play as intended. Delete congruent notes and move overlapping notes to an additional track. |
| 2.4 Make use of the record undo button |
| If you misplaced a note while recording, don't even hit the stop button but instead tap the undo button, tap ok and restart recording. |
| 2.5 Try different quantization parameters |
| Every recording requires its own set of quantization parameters. You will get better results if you don't just stick with quantizing everything with 1/16. Try different settings and hit the undo button in between. |
| 2.6 Release times can simulate legato |
| If a recorded melody should flow but it sounds more like staccato, the notes are simply too short. The perfect correction would be to manually increase the note lengths in the event editor, but there is a quicker way: increase the track's release time (in the Instrument tab) until it sounds like legato. |